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AR art might be expressive (like Grodin’s Invasive Species) or didactic and academic, just like the Smithsonian app Skin and Bones, which peels back the skin and muscles of mounted animal skeletons on display, offering recent views into zoological physiology.
Alex Mayhew’s ReBlink on the Art Gallery of Ontario lies somewhere in between. For the installation, chosen paintings in the gathering are given AR updates: images of modernization, alienation, and distraction. In one, a fire-haired early-modern maiden holds out a selfie keep on with a smirk. In one other, a portrait of a Seventeenth-century couple with a bounty of wild-caught boar and grapes is replaced with their Twenty first-century equivalents: canned fruit and hot dogs. The clear satirical take gains a component of meta-commentary, critiquing online absorption in a web based medium.
The artist Marc-O-Matic creates giddy Saturday morning cartoon steampunk AR art resembling axonometric exploded diagrams of airships that blast out of drawings and off gallery partitions, in addition to menacing mechanized angler fish and bookish hermit crabs with entire libraries on their backs. It’s an intensely intricate and self-contained world.
The Serpentine Gallery in London used AR to supply artist Christo, who died in 2020, a one-of-kind posthumous swan song. Using the Acute Art app, the museum placed an actual virtual replica of Christo and Jeanne-Claude’s final large-scale public art work on the Serpentine River. The piece, London Mastaba, Serpentine Lake, Hyde Park, 2016–2018, is replicated in a virtual model of the unique pyramidal stack of seven,500 red, pink, and blue barrels, part beached barge and part ageless neon ziggurat, as its name (“Mastaba”) refers to a Mesopotamian tomb.
The Google Arts and Culture app offers several AR art features, including the Art Projector, which places art objects and pictures from greater than 2,000 cultural institutions anywhere you point your phone. The app can also be used as a platform for more experimental applications of AR art. This includes AR Synth, which shows off AR art’s audio capabilities, aurally and visually modeling five famous vintage synthesizers, which users can drop into any ready-made studio space.
Also hosted by the Google Arts and Culture app is a collaboration with Serpentine Augmented Architecture. This installation, The Deep Listener by Jakob Kudsk Steensen, selects five locations in London’s Hyde Park landscape to showcase original 3D animations and sounds often hidden from human ears. These emanate from five native and non-native species common to the world: There are bats’ nocturnal chirps; parakeet shrieks; reedbeds rattling within the wind; azure blue damselflies; and maybe most subtle, the deep earth respiration and tunneling roots of the London Plane Tree. Each creature is abstracted and deconstructed to be by some means each natural world, writhing elemental avatars of considered one of London’s most celebrated public spaces.
This article has been updated. It was originally published in April 2018.
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